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Vicky Isley & Paul Smith |
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In the Forest of Imagined Beginnings (FOIB) you can navigate through a forest and embed your own messages on selected trees. This online navigatiable environment creates a spatially oriented approach to allow alternatives to our established data navigation that respond more intimately to our inherent ability to return to and navigate a remembered space. FOIB is an online artwork co-commissioned by Folly, Digital Arts Organisation, Lancaster UK & Enter_Unknown Territories, International Festival & Conference for New Technology Art, Cambridge UK (25 – 29 April 2007). related
links back to top In a symposium organised by the British Council we revealed a secret obsession. The symposium took place during the first On the Edge of the World exhibition at the John Hope Gateway Gallery, Royal Botanic Gardens Edinburgh. The exhibition and accompanying publication follow the British Council initiated Darwin Now program investigating Darwin's influence on our society today. In fact, Darwin maybe, in part, responsible for our obsession, for it is his exploration of natures diversity which is reflected in our obsession for collecting artificial life forms created by our digital artworks. The symposium gave us the opportunity to talk about our recent work Lost Calls of Cloud Mountain Whirligigs and we included a number of studies of Whirligigs collected from the work, one of which is pictured above. The On the Edge of the World exhibition includes a selection of specimens and rare archival material from the Royal Botanic Gardens Edinburgh, alongside Contemporary British Art drawn from the British Council collection. Selected works included among others Michael Landy's life size prints of weeds, Dalziel and Scullion's Unknown Pines and Anya Gallaccio's Preserve Beauty. Also included is our Ornamental Bug Garden and it was lovely seeing parents lifting up their toddlers to watch the bugs going about their business. The On the Edge of the World exhibition continues until the 18th July 2010. related
links “E-volve brings together computer generated artworks of different artists, which are software based and develop continuously or come as an animation created by the artist. The artworks are presented as wall objects, on screens or as projections. The exhibition brings together the conceptual position of Manfred Mohr with his series “Klangfarben” and the minimalism of C. E. B. Reas with the artificial life-forms of the English couple boredomresearch. Eelco Brand presents a new two-channel animation. Marius Watz uses his software in combination with modern music of the Norwegian composer Rishaug to create a tapestry of light.” Text source: [DAM]Cologne related
links We are very pleased that Real Snail Mail is being shown in this group exhibition Process as Paradigm which is showing artwork that is continually evolving and in a state of flux. There are some fantastic artworks on show including works by Ralf Baecker, Gregory Chatonsky, Peter Flemming, Roman Kirschner, C.E.B. Reas, Antoine Schmitt and Ralf Schreiber. Our installation version of Real Snail Mail consists of an open top table which is nearly 5 x 1.5 metres. We are hoping with the new Spanish snail population (additional 34 Agents) the Real Snail Mail bandwidth should increase to help the 11,000+ backlog of emails still waiting in the queue. With four collection and despatch readers the new recruits have plenty of delivery options. It was great to watch people studying the snails at the opening on the 23rd April 2010 and we are keen to follow the progress of the new Agents over the four month exhibition. Many thanks to LABoral and the Artsway Associates Programme for supporting us with this exhibition version of Real Snail Mail. related
links Real Snail Mail Education boredomresearch launch a Real Snail Mail educational version at Gloria Fuertes Infant School in Gijón, Spain (18th February 2010) When we was invited to exhibit Real Snail Mail at Laboral, Gijón Asturias for the Process as Paradigm exhibition (23 April - 30 August 2010) we started a discussion with the educational team about the potential of a smaller enclosure being hosted in a local school. Laboral seized the opportunity and in just a week a school was on board, Gloria Fuertes Infant School in Gijón, for 3 to 6 years old children. ![]() Real Snail Mail enclosure at Gloria Fuertes Infant School, 2010 We went to the school for two days over February to install a Real Snail Mail enclosure, present the work and run workshops with the children. Each class was presented with a snail to look after in the school’s enclosure and they all voted on the best class name and drawing to represent their snail. The school has found the project very stimulating and since our visit have develop lots of lesson plans and activities with the snails. You can see what the children have been creating on the Gloria Fuertes Infant School's Blog.
back to top We also exhibited Real Snail Mail with ten temporary agents increasing the bandwidth of the service for the duration of the show. We arrived to find our snails safely refrigerated in the hotel. We soon had them chipped before easing them out of hibernation. Agents Manuel, Alfonso, Javier, Esmeralda, Frida, and Pablo delivered 78 emails in total while agents Federico Enrica, Madalena, and Catalina took it as a holiday failing to deliver a single message between them. |
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